Category: fiction


Commander Brogan Lannrat gave a determined grimace, displaying the square, well-formed teeth that had previously attracted favorable attention from more than a few highly skilled Lounge Dancers on the Planet of the Green Lagoons.  “No puffed-up pillbug is going to look down his nose at me.”

“Pillbugs don’t have noses,” noted crew biologist Mecky St. John.

“I don’t care what part of anatomy they might or might not look down from, they won’t be looking down from it at me.”  Lannrat stood, hands on hips, at the entrance to the Prime Bugorium, the elaborately ribbed and segmented bug government headquarters on the Planet of the Pompous Pillbugs.  The purple-and-black granite of the planet’s surface spread out in undulations behind him like series of giant, oversize, rocky ear canals.

“The pomposity is something you have to accept.  It’s a part of their DNA,” explained Mecky St. John.

He and Lannrat had traveled to the Bugorium gates on their Bounce Bike, Space Command emissaries on a secret mission to investigate Pillbug intentions.  Space Command intelligence officers had picked up unsettling noises in the cyberverse about Pilbug territorial prerogatives, setting off alarm bells at Blouder Base.

“After their evolutionary triumphs over the small-giraffe, this planet’s pillbugs have an attitude problem that’s insufferable,” Mecky explained, in that nearly insufferable, wheedling crew biologist voice of his.  “They’re the only bugs within three systems that possess the power of speech.”

“Fortunately I possess the power of ignoring speeches,” said Lannrat.  He gave his signature commanding guffaw, which tended to intimidate anyone with a less robust sense of humor in his immediate environs.  “Now let’s see just how nervously these bugs quail when an authentic, full-bodied human challenges them head on.”

Lannrat strutted toward the guard-bug standing sentry at the Bugorium entrance, his space boots stomping the granite with the full force of the militaristic chieftain that he considered himself.

The guard bug wobbled slightly on his lowest legs, a sleek, imported black helmet sheathing the upper part of his body.  Two of his many upper-right legs twitched restlessly, sending the spear he held into wobbly gyrations.  “Who approaches the Bugorioum?” the huge arthropod asked, in a somewhat rusty voice since it was pretty infrequent that any visitors actually approached to even try gaining entrance to the massive grey complex.

“Humans,” sneered Lannrat.  “I suppose you’ve heard of them?  Although the elevated, sophisticated nature of our affairs rarely leads to an intersection of our world with yours.”

The pillbug twirled his lance in an impressive flourish with seven or eight legs until it’s glinting point was just a pillbug-leg length from Lannrat’s check.   “What is your business at the Bugorium?”

“Haha!”  Lannrat laughed, as though the deadly pillbug lance was little more to him than the plaything of an inconsequentially rolling, insignificant, dirt-speckled millipede.  “Very entertaining!  I salute you on your twirly skills, your dexterous thrusting.  It’s a veritable floorshow for the visitors: Pillbugs on Ice!”

Mecky St John trotted up, coughing into his hand with exaggerated embarrassment.  “You’ll have to excuse my Commander, oh Pillbug officer.  He’s not accustomed to dealing with the more intelligent members of the gargantuan bug community.”

“Don’t apologize for me, Mecky,” Lannrat snorted, knocking aside the pillbug’s lance with a jerk of an arm.  “This bug needs to learn his proper place in the cosmos, below the great chain of human beings.”

“Commander Lannrat,” Mecky warned, “I don’t think it’s advisable…”

But it was already clear that Lannrat’s move had been inadvisable, since the guard was flailing all of his ungrounded limbs and running straight at the Commander, shaking his helmet and emitting a piercing tone that made a typical whistle seem as low-pitched as a foghorn.  Lannrat stood his ground, and was just about to experience a full collision with the onrushing bug flesh when the pillbug halted.  A crackle of energy had darted through his helmet and with this signal the bug had ground to a stop.

A voice boomed with authority from a helmet-implanted speaker.  “Guardsman, escort the intruders to the Bugorium Auditorium.”

“Haha,” Lannrat chortled again.  “They think we’re common intruders.  Wait until they realize they’re dealing with superior beings here.”

“Commander, I don’t think you understand…”

As the guard turned to lead them into the Bugorium, Lannrat gave a light kick to his shell.  “Show us the sights, bug man.”

Just minutes later, Lannrat and St. John found themselves in the large, but clammy, ceremonial auditorium, adorned with a dozen detailed sculptures of great pillbugs of yore, most of which, to the untrained human eye, looked remarkably alike one another.

Brogan Lannrat stood in the middle of the floor, hands on hips, looking up scornfully at the stone table where a council of especially sententious-looking pillbug potentates sat in a semi-circle.  “You call this a central Bugorium?  Ha.  I’ve seen more ornate arthropodean chambers in my niece’s Insect Farm.”

Mecky St. John was next to Lannrat, trying to keep a lid on his frightful quivering at the concerted pillbug power arrayed against them.  “That attitude may not be our best approach, Commander.”

The pillbug dignitaries seemed to agree with St. John, since they proceed to make munchy, gabbling, pillbug-language sounds across the table to each other.  Finally, the central pillbug turned to the intruders and addressed them in a heavily accented speech that sounded like a man speaking through a tiny megaphone packed with pebbles and cottage cheese.

“You have brought your gangly, unfortunate people-bodies to our planet without the proper identification, visa cards or recommended two-week vacation package vouchers.  Why should we not immediately consign you to our Sponge Prisons?”

“Ha,” reiterated Lannrat.  “The Sponge Prison hasn’t been built that can hold Brogan Lannrat.  You clearly haven’t heard of my escape from the Solitary Maximum Spongiform Security facility on the Planet of the Armored Earthworms.”  Lannrat threw some vigorous air-punches to demonstrate how he’d been able to damage his holding cell’s sponge walls.

The pillbugs made more gabbling and gargling sounds that might’ve been the bug equivalent of laughter.  “Your body motions are diverting,” allowed the head bug.  “But they do not address our question.  Why have you come here, all unbidden, to soil our domain?”

Lannrat gritted his perfectly even and remarkably square teeth.  These pillbugs simply wouldn’t let up on the pomposity.  “Listen, you puffed up, overlimbed ambulatory pebble.  Space Command polices this galaxy and we’ve picked up way too much chatter lately on your insidious moon-gobbling plans.  As far as we’re concerned, you primitive talking fossils already take up way too much galactic real estate.”

The bug bigwig was unpleased.  “Your insolence is beyond bounds, Commander.  Bug-guards, teach these fleshy ones some manners!”

Before the Space Command officers could take defensive maneuvers, two of the auditorium pillbug sentries instantly rolled themselves into pill form while simultaneously collapsing onto built-in, full-size floor trampolines.  With an aggressive spin they bounced off the trampoline surfaces to the center of the chamber, both guards smacking into either side of Mecky St. John.  St. John let out an unmanly shriek and collapsed, messy blood dripping from the collapsed sides of his head where the naturally well-armored bugs had impacted.

The bug leader waved a series of impatient legs at Lannrat.  “Clobber the other one!”

But Brogan Lannrat wasn’t too be bug-bombed so easily.  The security bugs had frisked him of his Spoggle blaster upon entering the Bugorium, but Lannrat had cleverly secreted a miniature bandolier of poison Muq’u darts in his upper mouth cavity.  Using a few lighting-fast foot-and-knee movements from the martial art of Brim Pucha, Lannrat jumped in front of the dignitaries’ semi-circular table, ripped the bandolier from his mouth and let fly with five expertly placed Muq’u darts that lodged in the tender underbellies of the sententious pillbugs.  The pompous monsters’ many legs writhed agonizingly in a spontaneous, coordinated display of insane pain and then, one-by-one, the oversize arthropods tottered and, in a Muq’u-petrified state of immobility, crashed to the chamber floor.

But the Commander was not around to see the results of his fusillade.  By the time the first bug fell, Lannrat was long gone, hustling down the, fortunately, well-signposted halls of the Bugorium to the exit, lashing out with Brim Pucha kicks and Muq’u darts whenever his perimeter was broached by a many-legged armadillidium.

Within a few sweat-packed minutes he was sitting back in his World Floater, hitting the control sequence for blast off.

“This is Lannrat,” he signed in to the Blouder Base mission frequency.  “Mission aborted.  These bugs are up to no good, no question about it.  I’ve seen all I need to see.”

“Report team status, Commander.”

“St. John’s not here.  He was pretty badly bashed by those bugs.  Might even be dead.  At least sustained some brain injuries that would be damn inconvenient to recover from. But that bug-hugger’s permanently cured of his bleeding-heart bawling, leastways.”  Lannrat gave a rough, commanding chortle as the World Floater achieved liftoff and he zoomed away from the purple-and-black landscape of the inhospitable and doom-inducing environs of the Planet of the Pompous Pillbugs.

 

 

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“This is the fourth murder in a row this week,” muttered Sergeant Bonedead.

“One right after the other?” asked Rita Doublegirl, crime beat reporter for the Daily Objective.

“No, I mean actually in a row.  The site of the killings forms a straight line right across Squalortown.”

Rita made a pout with both of her lips.  “And Squalortown used to be such a pleasant little city.”

The Abstract Detective stood with his arms akimbo right above the chalk outline of the latest victim.  “It makes you wonder,” he pronounced.

“Why someone would do such a heinous deed?” asked Bonedead.

“No, how they came up with that weird word, akimbo.”

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Mornings in the cult started early.  If you didn’t get up in time, all the good bagels would be gone.  And the flavored cream cheese, like the blueberry type I liked, would be used up because Janice, the one who usually had bagel duty, only ever bought one tub of it, even though everyone liked it the best.

Breakfast was served in the stripped down kitchen with the dingy, peeling wallpaper.  In addition to bagels, there was usually some juice.  Whatever was on sale at the Marrow Family Market down the street – grapefruit, apple or sometimes the fruit punch, which was pretty gross and too sugary.

After breakfast, the cult members would typically gather in the backyard.  It was a pretty private backyard, which is important in a cult house.  You don’t want random people seeing what all the cult members are doing in the backyard.  Next thing you know, they contact the media and you have crazy cult member wannabes hanging around.

This yard had a couple high concrete walls and a chain link fence on one side that was covered over pretty well with vines.  The problem was this chain link fence was only about seven feet high.  So some of the neighbors on that side could look over if they really wanted to and stood on a table or a chair or something.  We had to be careful, if we were going to do anything extremely cultish, to hang some tarp from the tree on that side of the yard.

But usually our morning routine didn’t require so much secrecy.  Darryl, our ‘charismatic leader’, would come out on the concrete-slab of a patio and blow his whistle to command attention.  Darryl was a decent leader, as cult leaders go, but he was severely lacking in the charisma department.  That’s why I put the phrase charismatic leader in quotes just now.

For one thing, he didn’t have that commanding, theatrical voice that so many natural, true charismatic leaders possess.  You know, that room filling, sonorous tone.  Sort of like the guy who does the Darth Vader voice.  Instead, he had this kind of scratchy, low-volume voice.  That’s why he needed the whistle to get everyone’s attention.  It also didn’t help that he had some bad facial scars due to severe acne problems in adolescence.  While that maybe added to his cultish rage, it didn’t do much for the charisma factor.  And then there were the clothes.  Darryl usually wore some kind of thrift store, JC Penney-style, plaid, long-sleeve shirt and loose, unflattering jeans.  He could’ve used a sharp jacket, or some cult jump suit, if you want my opinion.

But, you had to give the guy credit.  Even though he didn’t fit the usual bill of a cult leader, he worked hard at the job.  He was good at some things through sheer effort and stubbornness.  For instance, he had a pretty good piercing gaze he could basically silence anyone with.  He’d gotten this down to a science over years of staring at his pet cat and neighborhood children.  Another good quality he had was a fiery temper that could break out in random, unexpected flares of violence.  This was very effective, since it always had the effect of intimidating cult members who got out of line, especially new members who’d never seen Darryl flare up before.  Although usually the violence wasn’t very serious, but something more like throwing a half-eaten piece of cake on the floor or ripping an old curtain off a bedroom window.

Our usual backyard routine started with Darryl’s morning pep talk.  He didn’t really call it a pep talk, since that didn’t have a very cultish sound, but that’s what it boiled down to.  He gave some reminders of our purpose in the cult, and shout outs to members who’d accomplished something in the last couple days.  This could be any kind of accomplishment, such as posting an especially creepy blog entry, cleaning out the refrigerator or writing a poem that praised Darryl’s more admirable qualities.  Then there was a sort of physical routine we did that was a mixture of yoga, tai chi and some less strenuous moves Darryl developed on his own through a close study of dogs and grey squirrels.  Finally, there was a berating, where Darryl called out a member with unsatisfactory performance and publicly berated them for their shortcomings in front of the entire assembly.  Some people took pictures during this part and posted the photos on their Facebook page, which always made it even more humiliating.

Anyway, you’re probably wondering why I left the Kill Jill Cult.  Frankly, I was tired of the cult never living up to its ambitions.  We had these grandiose plans that lured me into the cult to murder Jill Burroughs, but they never really amounted to anything.  We’d get a few steps done: like filling out a diary of Jill’s movements, taking surveillance photos of her at the Super Walmart parking lot and, one time, stealing her mail.  But somehow it never added up to a real assassination plot.  The whole glory and the purpose of the Kill Jill cult was supposed to center on doing away with Jill Burroughs, but it never seemed to come closer.  Part of me thinks that Darryl just didn’t have his heart in it.

Jill was this middle-aged lady that was pretty much the most annoying woman in town, hands down.  She’d done something to personally alienate everyone who joined the cult.  A lot of us had tried getting jobs at her market, with the so-called ‘organic’ produce and all, and been turned down before she even looked at our applications.  She also was a fanatic about coming down hard on skateboarders and BMX bikers who practiced tricks on the sidewalk down from her store.  They might’ve practiced a few times in her store parking lot too, but it was usually empty anyway.  So who’d care?

Just the sight of her, with her clomping, tree-trunk legs, mottled, make-up-free face and old-fashioned blanket-shaped dresses was enough to turn most people’s stomachs.  I saw her almost every day, standing there with her hands on her stupid hips in front of her store, and it just made me burn with impatience we never did anything about it.

One night, Darryl was a little out of control on a Coors Light bender and was real full of himself, you know.  He was going out about how “tomorrow we do it, tomorrow’s the night Jill Burroughs gets what’s coming too her.”  He ripped some photos from the Jill surveillance scrapbook and pins them up on the wall, then he draws these red target-type circles around them, right?  Then he starts writing plans, directions.  Telling Marty he’s gotta stake out Jill’s apartment.  Holding his beer can like the rolling pin and telling Jung Ho, look, here’s how you come up behind her, creeping up when she’s locking the storage shed.

Finally, I just couldn’t take it anymore.  I put down my rum-and-Pepsi and I called bullshit.  I was, like, ‘Darryl, we’re not gonna kill anyone.  You sit here and talk a big game every time you’ve had few too many brews.  Then it’s all talk, talk, talk.  Well, how about some goddamn action?’

He looks at me, you know with that great gaze like I said he has.  And he’s like, “Yeah, you wanna try me out?  Jung Ho, get that rolling pin right now.”

Well, Jung Ho, he was always real quiet.  He did whatever you told him.  So he runs and gets the rolling pin, and the whole time Darryl is standing there facing me, his hair all messed up and grabbing his Coors Light can real tight.

I just stared back.  “You big talker,” I said.  “Let’s see you try it.

We stood there, like it was some frozen moment out of Inception or something.

Then, just when I was breaking into a sweat, to tell you the truth, Jung Ho comes back in.  Empty handed.

“Where’s the goddamn rolling pin?” screamed Darryl.  “I told you to bring that rolling pin!”

“It’s gone.  I think Stacey took it.”

Then Darryl lost it.  He started screaming for Stacey.  Just screaming.  He was always pissed at her, cause Stacey would always be taking the rolling pin for her crafts.  So she could make perfect Play-Doh circles or something.  Next thing, Stacey’s running down the hallway, still smoking her cigarette, carrying this Play-Doh clump and the rolling pin, Darryl chasing behind her.  They run up and down, and out in the yard.  It just keeps going around, those two running in circles, Jung Ho joining in after Darryl screams at him.

Well, I just gave up at that point, to be honest.  Darryl didn’t even notice me anymore.  I told myself, if I have one shred of self-respect left, this is the night I leave this cult.  A bunch of people chasing each other all around the property over some rolling pin and Play-Doh aren’t going to end up killing anyone.  And that’s when I did it.  I unlocked the wood, red-painted cult collar from around my neck, took off my custom cult skull earrings and walked out of there.  The next morning I tried to wash off the Kill Jill forehead tattoo the best I could.

So that’s it, really.  That’s how I left the Kill Jill cult.  Now could I get another of those doughnuts?

 

 

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The Theater of the Tiny

As they made their way toward the Theater of the Tiny, Alan had to conceal his skepticism.  Deirdre was so excited by the entire concept of really, really small drama that it was almost infectious.  He didn’t want to spoil her enthusiasm with his well-honed, cosmopolitan world-weariness.  After all, he’d seen Japanese noh drama, Baroque French masques and Sino-Senegalese performance art.  The theater could hold few surprises for a man of his experience.

“I’ve always thought regular drama was too large,” Deirdre was saying.  “It was a theory of mine, ever since I was twenty-three.  So the subtlety of this tiny drama just blew my mind.”  Her eyes lit up at the memories of the spectacular tininess.  “Their revival of Anna Christie had this amazing miniscule seaport set.  I just imagined crawling into one of those tiny boats like I could sail off on a tiny globe-spanning ocean.”

“And I suppose they drink tiny drinks in the bar scene?”

“You have no idea how skillfully they do it.  A thoughtless actor would just down a tiny drink with one normal-size sip, leaving nothing in the glass for additional sipping through the remainder of the scene.  But these actors of tiny drama, they measure their sips ever so carefully to fit into the entire tiny world of the piece.  Yet they do it in a way that makes the sips look totally natural in their miniature plane of existence.”  Deirdre made size gestures with her hands, bringing her fingers nearly together to show various extremities of tininess.  “Watching the performance, I feel like I’m becoming a small ant, watching professional ant performers, only incredibly well-trained ant performers with great enunciation that have the emotional range of a Katherine Hepburn or a Robert Mitchum.”

Alan raised his eyebrows.  “How do these actors even get into tiny acting?  I mean, you must have to meet some demanding physical requirements…”

Deirdre grasped his arm quickly with the urgency of a girl thinking he’d completely misunderstood.  “That’s just it.  Everything is done with such mastery that the actor’s physical size is irrelevant.  Just through their performance they evoke in the audience the essence of the tiny.”

“So what you’re saying is that their motions…”

“It’s not even just in the motions.” Deirdre fixed him with an intense look, her eyes turning to him at the same time that they seemed to slightly recede.  “It’s in their entire persona.  They even have to make their eyes tinier, to psychically shrink down their corneas to an appropriate dimension, to match the tininess of the piece.”

“You say tininess of the piece, but surely the play’s the same size.  If they do Macbeth, the play isn’t any smaller.”

“Not in any textual way, no, but the characters are reflected through an entirely tiny lens.  It’s almost as though you need to squint a little to see the small Banquo getting murdered.”

Alan gave her a playful elbow jab.  “Yes, the sad death of little Banquette.”

Deirdre just looked at him blankly.  They were getting closer to the theater, the Tiny Drama banners popping up here and there, but Alan seemed no closer to understanding.  “You’re making jokes.  You just don’t get it, do you?  Tininess can be tragic, Alan.  In fact, Tiny Drama Macbeth was much more moving than full-size Macbeth when I saw it in New York, even with live horses and dogs.”

“Well, if they ever do tiny Death of a Salesman, let me know, because I’d love having the chance to overlook the entire inconspicuous thing.”

Deirdre was at a breaking point.  Her lipstick was just the right shade of livid red to express her outrage.  “You see these Tiny tickets?” she demanded, holding out the passes she’d acquired at a miniature price.  “There were two of them, but they’re so small, one just slipped through my fingers.”  Deirdre let a miniscule pink ticket fall from her hand down into the normal-sized, rain-filled gutter at their feet.  “I’d rather concentrate on this Tiny performance by myself than sit next to a snide, snipping size snob.  I’ll see you back in boring old regular-size world, Alan.  I’m going to the land of the tiny!”

With that Deirdre stalked off, joining the lively stream of enthusiastic patrons pouring down the ramp into the Theater of the Tiny like busy brown squirrels diminishing in the distance as they ran down an angular hallway.

Alan tsked to himself, checked his smart phone and smiled.  The Theater of the Tiny could wait.  He had a complementary ticket to the new Cirque du Chien show, Humongo Venti Grostesqurie.  “Now that’s entertainment,” he said in satisfaction.

 

 

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In an irregular galaxy,

hunkered behind a sprawling nebula,

Controlling a system of stars numbering

A total difficult to count,

The relatively tireless, foolhardy officers of

Space Command voyage between worlds,

Exploring, researching, and ferreting out

Vulnerable potential colonial outposts.

These are the accounts of some of their less

Successful expeditions…

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The Planet of the Unstoppable Vines

The Planet of the Visible Robots

The Planet of the Invisible Robots

The Planet of the Ravenous Snails

The Planet of the Telepathic Jellyfish

The Planet of the Frozen Spiders

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Here’s one of your favorite scenes from my novel ‘House of Prension’.  Follow the link for the complete novel:

Not Jabbs  (From ‘House of Prension’, Chapter 14)

Some bolder Jabbs showed themselves the next morning: they’d watched the foreigners with trepidation during the Fog Hour from the safety of rocky nooks.  As the Prensioners stirred, the Jabbs apprehensively continued a vigil.  Pinkface slyly noted their surveillance as he rose, quietly shifted into a sitting position and made traditional placating gestures.  Aulic pointed out the dried eggplant squares, making motions he hoped would be interpreted as an invitation to try a sample.

After long minutes of this face-off, a few Jabbs cautiously skittered forward, offering stock greeting phrases.  Despite their strange appearance, they were quite fluent in Mervan.  A broad-faced specimen, an apparent leader, skittered about at the group’s front staring at the newcomers with the same motionless gaze of the others.  Pinkface made a diplomatic overture.

“Jabbs, we come with peaceful intent, almost as if we are people who might want befriend you.”  He coughed uneasily.  “Although that is certainly not strictly necessary.”

            The lead Jabb moved his head from side to side, which involved moving his entire body since the parts were continuous, appraising the visitors.

“You are not Jabbs,” he said at last.  His voice had the characteristic Jabb squealing sound of rocks scraping against a metallic surface. 

            “No, of course we’re not Jabbs,” said the Elder impatiently.  “Do we look like Jabbs?”

            Aulic rested a calming hand on Pinkface’s arm.  “We’re from a different tribe.”

            “A different tribe of Jabbs?” asked the Jabb leader.

            “No, we’re from…”

            “A tribe of people across the desert,” inserted Pinkface.

            “Perhaps a long lost Jabb tribe that has changed in appearance and manner so much as to be an entirely strange looking group of beings . . .” the Jabb leader began.

            “No, we actually have nothing at all to do with Jabbs,” Pinkface insisted.

            “Then you should not be here,” the Jabb reasoned.

            “We’re visiting,” said Aulic, before Pinkface could make an insult.

            “I see.”  The leader folded two appendages.  “Do you plan to poke in Jabb tunnels, find a luscious one for your own?  Excavate grub worms, uninvited?”

            “Absolutely not,” Pinkface assured him.

            “Then we can relent in our vigilance.  We invite you for grubs.”

            “I should remind you we’re not Jabbs,” Pinkface repeated.  “I cannot make that point too strongly.  Your grubs may be an inappropriate nutrition form for us.”

            The Jabb kicked with his stubby legs, as though acknowledging the Elder.  “I have eyes in my head,” he said.

Arvin squinted.  “Is he being rude?” he whispered to Pinkface.

Pinkface spoke out of the side of his compressed mouth.  “Not at all.  It’s a Jabb trait to make remarks on utterly obvious subjects.  It’s a recurrent meditative practice, a way to maintain their attachment to reality.”

The Jabb went on, gesturing at the desert.  “The rocks are dry today.  Dry for everyone.” 

Pinkface winced.  The Jabb speech tones grated on his ears like the skull of a long-dead hum squirrel scraping repeatedly on a jagged granite escarpment. 

“We spread our appendages to welcome you.”  The Jabb wiggled his upper limbs and extended them, stepping closer to Pinkface.

            “That’s a wonderful gesture, but we must move on speedily . . .”

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Here’s the opening of my fantasy novel ‘House of Prension’.  You can read more at Scribd.com by following the link below.

A top review from Amazon.com wrote: 

“In this story a teenage boy of royalty is facing a maturity ritual and dealing with other royal protocol he is not really into while under the constant scrutiny of his older brother and throne heir. The author creates a whole new world with different classes of people and rituals. Yet with the style of writing the author makes everything so real, the reader has no problem imagining the world that has been created on the page. A lot of times in fantasy or Sci-Fi stories I tend to get lost at the beginning of the book, trying to figure out what’s what and who’s who in the author’s world. It usually takes me a few chapters to familiarize myself with the new world and its people. I didn’t have a problem at all following this author or keeping up with his imagination. Aulic is an interesting lead character and his life in Prension is intriguing. The author sets the stage for a wonderful novel sure to entertain and delight. In a few short pages I was deeply invested in the characters and story. The story flows smoothly and this is a book I would definitely buy.” — Amazon Top Reviewer

 

            Aulic Prension lay still on the courtyard bench against the backdrop of a peach-painted wall concentrating intently on thoughts of an obese waxen figure.  The figure was a pale white one, the unattractive white of sour milk, and around its base misshapen protuberances, small dried drippings and streams of wax, stood out in bumpy relief. 

The Grey Hour had settled in on Prension Town and the dwindling orange light was muted and meditative.  There was an anticipatory air before the lavish Autumn Girl dance set to begin in a few hours.  The moments before a dance were an odd time, perhaps, for a session of Dream Hand practice, but Corben Corsaire, the most respected Prension Dream Hand, was determined to squeeze in another session before Aulic’s Maturity Ritual.   

Even though he was intent on his teaching, Corben, an occasional painter with a remarkable eye for color, couldn’t help noticing that the tan-brown streaks in Aulic’s hair complemented the peach wall.  His concentrating face with its closed eyes was rendered especially striking by the distinct strip of scalp showing down the middle part of his hair.  It was an unusual but noble style, this scalp-strip, forbidden to all Prensioners except members of the royal family.  On Aulic, the strip worked unusually well, since his hair naturally had a center part.  On others, the strip was less felicitious.  His mother, Empress Landau, never looked quite right with it dividing her mounds of curling brown and blonde hair, and so she often favored an empresses’ headdress. 

“You must think of the Pudding Dinner Ghost legend.  That’s the kind of lumpishness and bumpy waxiness I’m imagining.”  Corben could keep the desired avatar firmly in mind even with his eyes open, a talent possessed in full only by the most masterful Dream Hands.  For Corben, it was as though the Pudding Dinner Ghost was vividly superimposed on the image of his pupil.

Under Corben’s tutelage, Aulic was attempting to envision this same waxwork.  If he summoned the Ghost to his mind in a full-fledged form, he’d be that much closer to mastering the creation of his own Dream Avatar. 

But Aulic found it difficult to focus on figure contemplation as dance tunes trickled from the windows of the ballroom where poko musicians were rehearsing.  The same dances were brought out each year to the Autumn Girl ball-goers’ predictable delight.  Though he tried to form the Ghost Corben had sculpted a few days before, Aulic’s attention was constantly drawn away by the interminable bolka rhythm.  Hearing the thudding of mallets on lizard skins, he could picture only the clicking of reveler’s shoes on the floor, the rhythmic signals of men’s extended arms, their festive finger clicks, and the circle of maidenly grins, moving in a blurry rotation. 

The annual ball extended back in time even before Dovan’s reign.  Girls would spend all summer anticipating the chance to demonstrate elegant heirloom gowns.  For centuries the ritual had endured, with the same bolkas and spanilles trotted out, the same baked mammals trussed up and smothered with sweetened fruit sauce, and the same spiced ciders and weed brews dispensed by poko attendants. 

            With such distractions rampant, Corben was not hopeful about the session’s outcome.  He knew Aulic possessed an agile mind and a memory attracted to facts and detail.  But his interest in dream arts was minimal and he was rarely engaged in creative tasks.  Corben felt his sensibility was analytical, one to cast an evaluating gaze over other’s creations.  It was not unusual for a Prension to be meditative, but few were so skeptical in their mindset.  Many courtiers found Aulic’s frequent acerbic comments unsettling, his spiked observations annoying, but Corben maintained an indulgent smile at his remarks.  Perhaps his mystical leanings, his devotion to the oft-disdained Dream Hand rites, encouraged him to empathize with the young rucklen.

Aulic perversely kept seeing an old emperor’s rigid face rather than Corben’s wax figure.  He was a Frissen Emperor Aulic had read of in the dense Brown Tomes that covered entire walls of the court library.  The emperor’s small, unattractive head came unbidden into his thoughts, its features pinched and squinted, his mouth ranting with ever increasing speed about insufficiently compliant neighbors on the Frissen borders.  Aulic recognized the head as that of Tor Molk, with his well-known nose appearing as small and squeezed as it was in the anecdotes, his eyes a drippy shade of moldy green and his hair plastered with sweat onto his short forehead.

Somehow this unpleasant head appeared of its own volition with a vividness Aulic never experienced with Corben’s inert figures.  With each effort he made to refocus, Molk’s visage grew denser and more insistent.   Just as the head’s jabbering reached a physically impossible rate, there was a clatter and intrusion of outside voices. 

A crowd had suddenly appeared in the courtyard.  A break had been called in the ball preparations and the toiling pokos and half-girls had quickly spilled outside, making dripping comments and laughing dull, half-girl laughs.  Concentration would be impossible with the crowd clustering in noisy batches.

“We should have gone to my wax hut!” Corben declaimed in frustration. 

 

Continue the chapter at the link below or buy on Kindle at Amazon!

http://www.scribd.com/doc/21149397/House-of-Prension-Chapter-One

House of Prension on Kindle

Nicolas Cage Projects Stalled in Development

 

Hollywood’s anti-visionaries are at it again, keeping some of the most enticing projects in town tied up in endless rewrites.  Thanks to these sluggards, all of us Cageheads out here in the Cage Fan Nation only saw one new Cage movie last year.  Any year without at least four new Nic pics is a year wasted.  So get your e-mails flooding into these stuffed shirts’ offices so we can get our Nic-o-time now!

 

FireHead – In this promising concept, an emotionally volatile, devil-may-care detective suddenly acquires the occult power of turning his entire head into a ball of seething flames.  Soon Buck Firehead (Nicolas Cage) is roaring across the country on his souped-up Segway, his head bursting into a weaponized inferno of death at the slightest provocation.  Cate Blanchett is under consideration to play Rixette, the sexy, gritty biker chick who knows FireHead’s darkest secret (that his head often turns into a ball of fire).

 

Man With The Future Brain – A paranormal action thriller, this gonzo concept tracks the tale of Professor Oscar T. ‘Nostro’ Damus (Nicolas Cage), whose migraine-inducing visions of future events disturb his lectures when they appear as extremely dramatic PowerPoint presentations on his classroom Smart Boards.  Damus, a volatile, emotionally high-strung, no-holds-barred, academic maverick (with wacky thrift store shoes), tries to keep his prophetic powers secret from wise and canny department chair Hirschorn Cleveland  (Morgan Freeman).  But when his entire class sees his vision of humanity being incinerated by a band of flaming Hellriders in an apocalyptic wave of fire outside the Reno city limits, Damus must spring into action.  Shia LeBeouf is on the short list of candidates to play Damus’ charming, but feckless, assistant, Ouija.

 

National Treasure III: Catacombs with Numerous Secret Passages – In this projected sequel, currently in its fourth rewrite, we become reacquainted with Benjamin Franklin Gates (Cage) lecturing on his best seller, “Building Your Own Ridiculously Elaborate Cavernous Labyrinth”, when he stumbles upon the fact that secret crypts located under St. Louis are carved with hieroglyphics created by Theodore Roosevelt in which the Rough Rider predicted a swarm of 21st century plagues that would bring clouds of psychic, but still very hungry, locusts down on the Plains States in herds of destruction.  Gates is soon exploring the crypts with new romantic interest, entomologist Shecky Dyerson (Amy Poehler, in a rare dramatic turn) and exploding into volatile fits of disagreement with his father via cell phone (whose voice goes unheard due to Jon Voight’s unusual compensation requirements).

 

FireManiac – Volatile, drunken con-man Ty Kibler (Cage), haunted by his three failed marriages and the two Southeast Asian refugees he adopted then abandoned to fend for themselves on a desolate Caribbean Island, is transformed by an encounter in Las Vegas with Sinoa Lodilla (Halle Berry) a sleek, but volatile, temptress who’s a craps dealer by day and a Satanic biker/whorehouse madam by night.   When Kibler has inexplicable visions of himself making maniacal love to Sinoa in an Egyptian temple lit by sensual torches, he suddenly finds himself possessing the powers of FireManiac, a leather-jacket-wearing hellion who shoots fatal jets of fire from his index fingers at criminal wrongdoers.  Jack Black is attached to portray Sinoa’s charming but sleazy pimp, Sleazeboy.

 

Devil Dice, Asshole! – Washed-up professional poker player and volatile, emotionally distraught Las Vegas weatherman Troy Hellburner (Cage) gets a chance to redeem himself when Thai opium smuggler Sweet Lip (Penelope Cruz) hires him to waste her Chinese arch-enemies by strafing their fields with napalm from a motorized hang glider.  But when Troy’s glider is shot down by former Maoist general turned drug-dealer Ching Fick (Chow Yun-Fat), he becomes enmeshed in a high stakes game of tossing small white dice where Satan controls the odds and only Troy’s willingness to sell his soul to a cackling Chinese demon (Margaret Cho) can save Lip’s opium harvest and redeem two Chinese orphans who appear outside the hut sometime during the game.   

 

The Eclectics

The former hosts of KCRW’s Morning Becomes Eclectic are gathered for their weekly Sunday brunch at an upscale Westside bistro.  Schnabel, Douridas and Harcourt sit at a patio table, enjoying their meal.

 

                                                      SCHNABEL

                                       (putting down his champagne glass)

This is one of the best tomato-mushroom omelets

I’ve ever tasted.

 

                                                      HARCOURT

                                       (slumped in his seat, eyes closed in pain from

                                       a nasty gin martini hangover)

Eggh.

 

                                                      SCHNABEL

But I’m torn between whether this or the Black Forest

Omelet is my all-time favorite.

 

                                          DOURIDAS

                                       (leaning back and staring up at the awning)

The menu here is so eclectic.

 

Suddenly, BENTLEY runs in from the sidewalk.

 

                                                      BENTLEY

Guys, I’ve got a hot tip from underground progressive

house DJ Glass Electrode.  Crystal Beat Smack is being

held at gunpoint by a Guadalajaran drug trade posse.

 

Schnabel cocks his ear as a new song plays on the sound system.

 

                                                      SCHNABEL

What an intriguing fado.  The vocalist reminds me of

that great Guatemalan timbruja singer, Felicidad Conhuevos.

 

                                                      DOURIDAS

Raul Campos first turned me on to Crystal Beat Smack. 

Loose, organic beats pulsing under a haze of vocal distortion.

 

                                                      BENTLEY

Exactly.  If we don’t move now, we’re talking the loss

of a major electronica artist.  Guys, this is a job for the

Eclectics.

 

                                                      HARCOURT

                                       (mumbles)

McCartney cover.

 

Harcourt’s slumps forward, his head falling into his plate of beans-on-toast.

 

                                                      SCHNABEL

                        Guadalajara’s gorgeous this time of year.  I once spent a

                        memorable weekend there with a Latin jazz vibraphone player.

 

Douridas nonchalantly lifts Harcourt’s face out of the beans.

 

                              DOURIDAS
This café gets worse and worse.  This is three weeks in a

row some vagrant’s come in and crashed our brunch.

 

                              BENTLEY
Chris, that’s Harcourt.

 

                              DOURIDAS
Who?

 

                              BENTLEY
The Third Eclectic.

 

Douridas wipes some beans from Harcourt’s face with a napkin.

 

                                                      DOURIDAS

I didn’t sign off on him.

 

                                                      BENTLEY

You were in a haze.  Guys, we need to get moving.  Only

the Eclectics, with our combined knowledge of the musical

underground, can find Crystal Beat Smack before his

virtuoso knob-twirling fingers are sliced off by the

corredors.

 

                                                      SCHNABEL

If this mission involves violence, it’s entirely against my

ethical code.  Also if it involves staying up after eleven,

fast running, excessive perspiration, feedback, so-called

indie rock, unpleasant smells or anything that requires me

to raise my voice.

 

 

 

                                                      HARCOURT

               (wiping a bean from his nose)

Live, in-studio set.

 

                                                      BENTLEY

So this is going to be like all of our other missions?

I do all the work while you guys sit here and lounge.

 

Douridas perks up, ever so slightly, spotting a woman sitting down at a nearby table.

 

                                                      DOURIDAS

It’s Canadian neo-folk chanteuse Greta.  I’m going to ask

her to autograph my postcard.

 

Schnabel sips his champagne.

 

                                                      SCHNABEL

If only Wayne Shorter were here.

 

                                                      BENTLEY

I warn you.  The next time this happens, I’m ditching you

all and starting the Electronicas!

 

Bentley stalks off as Harcourt falls out of his seat.

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