A dark and gritty work by the heavily-bandaged German composer Horst Schrillefrau that’s a prime example of the subgenre opera medium rara.  As the curtain rises, Hansel, a bald and overweight butcher with large teeth and wearing only a blood-stained white apron, is badgering a frightened elderly lady in the aria Bratwurst is Not a Plaything (Bratwurst ist kein Spielzeug).  Distressed, the woman runs out and a lugubrious Hansel sings of his diminishing customer base while gnawing on a pig knuckle.  Suddenly, Chief Inspector Blutbauern storms in, holding the bloody corpse of his pet dachshund.  He demands to know Hansel’s whereabouts on the night of August 10. Hansel sings the brooding aria Dachshunds Have Always Taunted Me (Dackel haben mich immer verspotte).  Just as Blutbauern is about to arrest Hansel on suspicion of dog slaughter, three lusty whores, wearing provocative sausage jewelry, dance into the butcher shop.  They bewitch the Inspector with their mocking trio, Will You Interrogate Our Sausages?  (Werden Sie abfragen Unsere Würste?).  The Inspector laughs lustily and chases one of the prostitutes around the butcher shop with a decapitated pig’s head.  Hansel, driven mad with frustrated desire, pulls a large premium cut of venison out of his display window and prances about crazily on a countertop singing his mad song, Who Will Bring the Wafers? (Wer wird der Wafer zu bringen?).  The Inspector’s assistant dashes in and, mistaking Hansel for an escaped zoo animal, shoots him five times in a vital region.  The carefree whores play a game of ‘toss the sausage’ as Horst lies dying on the floor singing his delusory death aria, That’s Why Little Girls Love Butchers  (Das ist, warum junge Mädchen Metzgereien liebe).

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